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A Centennial Celebration

Motonaga Sadamasa:
Triangle Circle Square

 

Fergus McCaffrey Tokyo is pleased to celebrate the Centennial of the birth of Sadamasa Motonaga with the opening of the exhibition Triangle, Circle, Square, which features 14 paintings made between 1990 and 1999. The exhibition will continue until February 18, 2023.

Originally trained as a cartoonist, Motonaga illustrated for local magazines and newspapers in the late 1940s. Shortly thereafter he became an early member of Gutai, joining the group in 1955. Together with other first generation members, including Jiro Yoshihara, Kazuo Shiraga, and Saburo Murakami, Motonaga forged an ethos of artistic experimentation, freedom, and individuality in the wake of the Second World War. To break free from the conservatism and militarism of the past, Yoshihara urged his adherents to “do what has never been done before.” With this emphasis on originality, Motonaga responded with a wide variety of paintings, sculptures, water installations, and smoke performances that emphasized interactive play and sought to provoke joy.

In the late 1960s, Motonaga sought to break free from the somewhat hegemonic process-based abstraction that became the signature of Gutai artists, and a residency in New York City from 1966-67 allowed him head-space to return to the fertile path of his pre and early Gutai work. He revived the anthropomorphic shapes found in his earliest painting, adopted airbrush technique, and gradually began to inject the aesthetics of street culture and Anime into the realm of high art. By the later 1970s, Motonaga’s large gestural strokes overlaid with scratched pictograms, and airbrush drips fit squarely into Zeitgeist of ‘bad-painting’ that was emerging with Reinhard Pods in Berlin, Albert Oehlen in Cologne, and Jean-Michel Basquiat and Keith Haring in New York.

Motonaga at Otani Memorial Art Museum Nishinomiya City 2001

However, Motonaga’s work remained apolitical and belongs to a special category of transgressive and liberating art which seeks to expand the reach of art to non-specialized audience, via children’s art books, interactive public sculptures, public performances, and art lessons. It is impervious to decoding and beyond words, delighting in the direct pre-verbal communication of rhythmic forms, swirling lines, and flowing shapes.

Motonaga died on October 3, 2011, in Takarazuka, Japan. His work has been the subject of many retrospective exhibitions in Japan, most recently at the Mie Prefectural Museum of Art (2022); Takarazuka Art Center (2022), Hyogo Prefectural Museum of Art (2022), and Kyu-Suukoudou (old Suukou hall, Iga Ueno, 2022).

Press release
Checklist

Sadamasa Motonaga 1922 – 2022


Produced by Documentary Japan|©︎Motonaga Archive Research Institution Ltd.

Editorial by Koichi Kawasaki

“It’s Light Up Ahead”:
A History of Motonaga Sadamasa

by Koichi Kawasaki(Written in 2015)
Motonaga Sadamasa had a habit of making people laugh by interspersing everyday conversations with jokes. He also had a habit of saying, “It’s light up ahead.” More than just the personal philosophy of an artist known for his optimistic, free-spirited nature, this line also applied to…
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元永定正 「一寸先は光」の歩み

河崎晃一(2015年著)
元永定正は、日常会話の中でしばしばジョークを言って人々を笑わせた。「一寸先は光」(註1)もその口癖のひとつ。それは、楽天的な自由人だった彼の生き方を示すジョークというよりも彼の生き様であり、常に前向きに制作した作品表現にも通じている。元永は、平面作品だけではなく、立体作品、絵本を制作した。また、本来かたちの定まらない水や煙を作品として表したことは、…
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MOTONAGA SADAMASA and GUTAI


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 Sadamasa Motonaga
 Published in 2015 by Fergus McCaffrey
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